During Marks first week on the job at working at Harland & Wolff, he starts finding out things about the steel used that lead him into conflict with chief designer Thomas Andrews. In the meantime, social tension escalates. A prominent figure in the labour movement, Jim Larkin, is organizing the workers in Belfast to form a union. At a carnival, Kitty Carlton seduces Mark with her elegant charms. Sofia gets more involved in her fight for freedom, which she interprets in a personal way, turning down her fathers apprentice, Andrea Valle, much to her fathers grief. At the end, Marks secret is revealed: he was born as Marcus Malone (he changed his name to Mark Muir after he arrived in New York), and he is the only son and child of Sean Malone, a Belfast Catholic dockworker. Sean is an old drunkard, mentally and physically broken by a life of unimaginable harshness of working at the shipyards. His only remaining pride lies in Mark whom father and son share an awkward but warm reunion after not seeing each other in years. Now, Sean is worried that if Marks identity were to be disclosed, he would lose his job at the Protestant-managed shipyard since Mark is Catholic. But Mark is careful and guarded and tells his father that he has everything under control.
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